Image and Fragmentation continues the experimentation of the human body and it's transformation utilizing the time-exposure lighting and drawing techniques and the human body as a site for formal and conceptual exploration.






Scultptures from the Athens archelogogical
museum, Athens, Greece.

Greek archeological fragments and high Renaissance sculpture (Michelangols's Prigioni) and the interplay between presence and absence, positive and negative space and form implied in these works were an influence for this series.


Michelangelo Buonarroti, I Prigioni.